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Bio-Mechanical Organism

Body as a machine

Hybrid production 

Data Turbine of Enlightmen,2017 

Cacophony Cemetery, 2015

Babylonian Empire, 2014

By renewing poeticly contact with nature, the 'Cacophony Cemetry' is an hybride installation that bringing out biodiversity and urbanism. As a micro 'habitat-city' the living sculpture  has it's own bio-mechanical organism, in a constant tension. Suspended by metal cables like 'artificial roots', the lacing of  electronic wires weaved the  muscle of human activity as a source of cacophony. The dialogue between the natural and artificial engages in confrontation, denouncing the environmental drift of our polluted senses. While the  piano performs its partition composed of oppressive electronical noises, sculpted 'fetal ears’ listen the mysterious vibration of the universal song, echoing to the  death of nature. When the wall of the ephemeral installation consumed the fuel of its inner reservoir, that vegetation rotted its last breath of beauty, all duality is called to en end. 

Short extract from 'Phantasmagoric Nightmare' experimental video

'Cacophony Cemetery'(2015) Sculpture, installation, performance.

Short  extract from 'Artificial Womb' Experimental Video'

 'Babylonian Empire' sculpture, 2016

Babylonian Empire, 2014

Artisanal Time Bomb 

Recycling Object

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I TATE EXCHANGE I 2018

'How to survive as an artist in metropolis'

Performance & Installation

In a futuristic vision, the studio become, the stage for technologize experiments aiming to use this new form of art  as a way to go back deeper within the self, lost in the mechanical work.

Link

     Data Turbine of Enlightmen, 2017

Hybride Sculpture, Installation

Medium: Recycling Objects

Size: 1m20

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